of the 2020s we wrote "There's no question that Yves' 2020s will be controversial, and there will be some critics who just won't be able to get their heads round them. Certainly if you are looking for pale ruby wines which 'pinote', this is not where you will find them - nor at Confuron-Cotetidot either. Yves has stuck to waiting for physiological ripeness, and has made, as he describes them 'des vins Baroque'. The 2020s all have extraordinary levels of richness and density, with a surprising freshness brought by the character of the tannins which were not as ripe as a vintage like 2018 or 2019, and which he says would be awful if associated with a 'classic' vintage, but with the 2020s they provide a freshness which the relatively low acidity does not. It's a different kind of balance, and much closer to wines from the Rhone valley both in aroma and structure, so you need to find a different way to understand them. If you do get to taste these wines at this stage, please bear in mind that unlike some growers (including DRC) whose wines are currently (November 2021) being prepared for bottling, all of Yves wines are only at the half-way stage of their élevage, and the finished wines will be in a different place when they are being prepared for bottling after the 2022 harvest. This was amply illustrated by a taste of the 2018 Grand Clos des Epenots 2018, which as predicted is shaping up to be a grandiose wine with extraordinary density and richness, and now aromatically 'in place'. See also all the notes on Domaine Confuron Cotetidot, as all of this applies to both domaines. (Charles Lea December 2022) L&S  (Dec 2022)

This year (2020, tasting the 2019s), with Yves in the morning we has lunch with him there. We tasted 1996 Gevrey 'village', which was in a very good place, supple and complex with a warm glow of maturity, and 2008 Suchots, which was gorgeous if still tannic, but which worked very well with food. Yves banged his drum for his style of winemaking, the late picking for him being the key - the whole bunches have to go in, and to do that the stalks must be dried - fully turned to wood and not green, and pips must be nutty and ripe and not green, and then, he says, you can extract all that the terroir can give you via the vines. For him, picking early is to miss this, and 'infusion' winemaking with little extraction is missing the point.

He illustrates this when he brings the cheese, a wonderful aged Comté and some Brillat-Savarin, with, scattered around, some little silver-wrapped triangles of 'La Vache qui Rit', and asks which we want. Later, in the cellar at de Courcel, he makes the point again when we are tasting the Croix Noires. This is only half-way through it's élevage because it needs two years in barrel to civilise its altogether uncommon density. "It's a choice, you can have this, or you can have La Vache qui Rit", and both may have their place at different moments, but if you want all that something can give you, sometimes you have to go about it in a slower, longer-term way. For him, 2019 is a great vintage in Pommard - its a terroir which suits hot years, like 1999 and 2005

(Charles Lea, November 2020) L&S  (Nov 2020)

On the 2018s and vintage styles: "In 2018, like in Vosne, he picked the grapes at full phenolic ripeness and the wines are, as he decribes them, plus Rhodaniens que Bourguignons (comparing them to wines from the Northern Rhône). Yves says that it is hard to know what the 1947s were like at the time, as no one can remember, but that he'd wager that they were like this. He compared the 2018s to the last very hot vintage, 2003; the difference, he says, is that in 2003 the lack of water caused both blocage de maturité, when the vines shut down for lack of water, and also the grapes shrivelled as they dried in the unrelenting sun. 2018, he says, is different - there was in most places enough water stored in the ground, and the ripeness is more developed - and so are the wines, which for him are very complete and so well-balanced that they will age for decades." (Charles Lea, November 2019) L&S  (Nov 2019)