BEAUNE

2012 1er Cru Reversées Domaine Nicolas Rossignol

Grapes Pinot Noir
Colour Red
Origin France, Burgundy
District Côte d'Or
Sub-district Côte de Beaune
Village Beaune
Classification 1er Cru
ABV 13%
Vineyard Reversées

100% destemmed. Black fruit, rich and ripe. Lots of structure and elegance. Punchy stuff. 'Blackberry and blueberry' observes Nico, is the character of this plot. L&S (Dec 2013)


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There is an appealing freshness to the pretty array of black currant, violet, spice and earth scents. There is outstanding richness, size, weight, concentration and power to the overtly muscular broad-shouldered flavors that exhibit an abundance of mouth coating dry extract that also buffers the very firm tannic spine on the hugely long finish. Compared to the typical standards of Beaune 1ers this is a massive example but since Reversées is a terroir that tends to do much better in ripe vintages and keeps extremely well, 2012 is a vintage to buy provided that you are prepared to wait because this is not a wine to drink young. 2024+ Rating: 90-93 Allen Meadows, www.Burghound.com (Apr 2014)

(100% destemmed; from vines between 30 and 35 years of age): Deep red with ruby highlights. Medicinal black cherry, bitter chocolate and espresso on the nose. Rich, dense and broad, showing a distinctly solid character to the tactile middle palate. Very ripe, chewy, strong Beaune wine with a firm structure for aging. And long on the finish. Rating: 90-92 Stephen Tanzer's International Wine Cellar (Jan 2014)

The 2012 Beaune 1er Cru Reversees never contains whole cluster. It has a more introspective bouquet compared to the Clos des Mouches, perhaps a little more rustic. The palate is medium-bodied with sinewy tannins, a gentle but insistent grip and a touch of the sea informing the peppery finish. No, this might not be a wine of great breeding, but it is full of charm and personality. Rating: 89-91 Neal Martin, www.vinous.com (Jan 2014)

Domaine Nicolas Rossignol

Born in 1974, Nicolas represents the fifth generation of his family in Volnay (a village which seems to be populated almost entirely by families with Rossignol somewhere in the name). He started to make the wines of his 'Rossignol-Jeanniard' family domaine when he was just twenty.

After studies at the Lycée viticole in Beaune, he worked with Joseph Voillot in Volnay, who became a mentor to him, for Louis Latour at their estate in the Ardèche, and for Vieux Télégraphe on Châteauneuf, where he loved the combination of richness and elegance in the wines, which influenced the style of wines he would later want to make himself. He also made wine in Boschendal in South Africa, and for Château la Cardonne in Bordeaux (then managed by the Lafite team).

In 1997, Nico started his own domaine with three hectares of vines inherited from an uncle. After a period in which some of the wines he made were labelled 'Domaine Rossignol-Jeanniard', and some 'Domaine Nicolas Rossignol', he began to buy the fruit from his (Rossignol-Jeanniard) family, and label these simply 'Nicolas Rossignol' (without the 'domaine'). Now the vines (all 16 hectares) are finally in the 'Domaine Nicolas Rossignol', and labelled as such. To handle this sizeable domaine, Nico needed a new winery. Having started with a chaotic assemblage of tanks in a building in the village of Volnay, he had moved to share Ben Leroux's winery on the Beaune ring road, but Nico had dreams of his own place and built his impressive new winery in 2016. A fantastic bespoke build, admittedly in a ZI (Zone Industrielle) on the outskirts of Beaune, which he recognises is not ideal for the 'folklore' aspect, it is a perfect tool for the job, and does have a good view of all 'his' bits of the Côte - from a sort of eyrie on the roof.

Like many Burgundy domaines, the appellations have proliferated as the surface area of the vineyard has increased with lots of little (and some quite large) parcels of vines in Aloxe ('village'), Savigny ('village' and two Premiers Crus), Beaune (three Premiers Crus), Pernand ('village' and one Premier Cru), Pommard (three 'village' wines and six Premiers Crus) and Volnay ('village' and seven Premiers Crus). With two cuvées of Bourgogne Rouge, this adds up to twenty-eight different wines. Like Burgundy more generally, the joy of tasting here is recognising the individual character of each plot, modulated by the conditions of the vintage, of course, but each with their own distinct personality

The viticulture of the domaine is inspired by biodynamics, but Nico is pragmatic, and although no weedkillers are used and the vineyards are maintained by ploughing, he says that there are both good and bad things in biodynamics, and he will use conventional fungicides to combat disease. At harvest time the grapes are picked into eight kilo boxes, and transported to the winery in them to minimise handling. They are then carefully sorted, before either being de-stemmed (but with the berries left intact) before being put in the fermentation vat, or put in directly as whole bunches. Nico uses varying proportions of whole bunch fermentation depending on the type of wine each vineyard gives, and of course on the health and 'ripeness' of the stems. A classic fermentation using the natural yeats on the grapes ensues, with punchdowns (pigeage) and pumpovers (remontage) used to extract flavour from the grapes, or to oxygenate the wine and refine its structure - the amount used judged by tastings throughout the process. After the vatting the free-run juice is separated from the pressed juice - the latter being blended back as required if necessary after tasting. The wine is put into barrel by gravity (with the amount of new wood between 0 and 50%), and aged for between ten and twenty months depending on the wine and the vintage, always on the lees without racking. The wood and the amount of heat used in making the barrels is also modulated for each wine. The malolactic fermentation is delayed for six months to increase aromatic complexity and structure to the wines. At the end of the ageing the wines are racked and blended in tank, before bottling without fining or filtration.

Nicolas makes deeply-coloured, flavourful wines. He is always keen to rubbish the generalisation that Pommard makes structured 'masculine' wines, as opposed to Volnay's supposedly 'feminine' ones, and proves his point with Pommards grown on clay and Volnays like his punchily structured 'Ronceret'. Each wine is very site-specific.

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